Mixbus 32c manual pdf1/30/2024 ![]() The onboard modular ports allow the Platform M+ to connect to additional expansion modules such as the Platform B+ providing plugin control, and additional automation functionality for even greater power, versatility and creativity. The Platform X+ expansion modules allow you to extend your system up to 64 channels depending on your DAW. ![]() Add the Platform D2 Backlit LCD Display Module to keep track of every parameter, channel and control value in your mix. But, the Platform M+ is also designed to be the nerve center of your very own scalable, customizable, modular audio production system. The compact size (40cm x 20cm x 4.5cm) of this DAW controller means it should fit comfortably into any studio setup. But even if your recording system is not on this list, you can still map its functions with our intuitive MIDI User Define mode. Mackie Control and HUI protocols provide nearly seamless interfacing with your digital mixer or your DAW’s functions. The Platform M+ integrates with most popular Digital Audio Workstations and digital mixers with iCon’s universal DAW mode and mapping for Cubase, Nuendo, Ableton Live, ProTools, Logic, Reason, Studio One, Bitwig, Samplitude, Adobe Audition, Digital Performer, FL Studio, Sonar, Reaper, the Touchmix-30 Pro digital mixer and Sound Devices Scorpio mixer/recorder. With nine (9) full sized motorized faders, eight (8) rotary dual-function encoder knobs, backlit buttons for Mute, Solo, Automation and Transport control, a jog wheel, and access to your entire mix by banking across tracks in groups of 8 or 1 channel at a time. The Platform M+ is a MIDI control surface designed for producers, engineers and musicians who want the hands on control of real faders on a mixing console PLUS the flexibility of modern “in the box” or touchscreen digital music production within a smaller physical workspace. ![]() Seize control of your productions with the Platform M+ DAW Controller, adding true tactile control via USB2.0 to your Digital Audio Workstation (DAW), digital mixer, or digital recorder. Load up Serum and we think you’ll be able to notice both what you hear (solid high frequencies, extending flat all the way up to the limits of hearing) as well as what you don’t hear (no unwanted mud or aliasing gibberish- just good, clean sound).MASSIVE Control, MODULAR Components, MINIMUM Footprint ![]() In Serum, the native-mode (default) playback of oscillators operates with an ultra high-precision resampling, yielding an astonishingly inaudible signal-to-noise (for instance, -150 dB on a sawtooth played at 1 Khz at 44100)! This requires a lot of calculations, so Serum’s oscillator playback has been aggressively optimized using SSE2 instructions to allow for this high-quality playback without taxing your CPU any more than the typical (decent quality) soft synth already does. Many popular wavetable synthesizers are astonishingly bad at suppressing artifacts - even on a high-quality setting some create artifacts as high as -36 dB to -60 dB (level difference between fundamental on artifacts) which is well audible, and furthermore often dampening the highest wanted audible frequencies in the process, to try and suppress this unwanted sound. Artifacts mean that you are (perhaps unknowingly) crowding your mix with unwanted tones / frequencies. Without considerable care and a whole lot of number crunching, this process will create audible artifacts. Playback of wavetables requires digital resampling to play different frequencies.
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |